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Suzuki Violin Vs Traditional Violin
by Helen Baxter
The Suzuki violin method has come to dominate the way violin
is taught in America and throughout much of the world. Mention the Suzuki
violin method to music educators, and you will get a variety of responses.
While it is common for some teachers to mix elements of Suzuki violin method
with the traditional approach other teachers either love or hate the Suzuki
method. Lets examine the Suzuki violin versus the traditional violin
below.
The Suzuki violin study method emphasizes passive modes of
learning - watching and listening. Before engaging in formal study, Suzuki
violin students are exposed to recordings of the first and subsequent pieces
they will play, as well as recordings of great performances from the general
classical repertory. This continues when students begin formal study and as
they progress. Recordings are played as "background music", for hours
each day and at low volume levels. Here, the thinking is that exposure to
recordings is similar to the effect of immersion that naturally occurs in the
process of primary language acquisition. Successful study is enhanced by
prolonged repeated exposure. Suzuki violin students develop an internal model
of the music to be studied. They memorize the music and internalize the nuances
of pitch, tone, timing, articulation, and dynamics demonstrated in recorded
performances.
Traditional violin study favors a type of training that
virtually ignores passive learning approaches. While students may be encouraged
to listen to recordings of the more advanced repertory played by concert
artists or symphony orchestras, beginning students are generally not given the
opportunity to listen to recordings of the beginning pieces that they are or
will be studying.
Suzuki violin incorporates the passive mode in class. Before
Suzuki violin students ever receive the violin, they observe others who are
doing what they will eventually do. Even after receiving and working with the
violin, they continue to observe others in the masterclass setting and group
lessons. While, the more traditional violin lessons are modeled on an
environment of isolation. When students do interact, competition between
individual students is often used as a means to motivate them. Cooperative
learning techniques are neglected or ignored. With the one-on-one model,
students don't get much opportunity to study and play music with peers.
The Suzuki violin method imparts technical skills needed to
play the violin in a way that has similarities with the approach used in
traditional Asian martial arts. There is meticulous attention to form, detail,
and movement and it is usually taught by a master who has been handed the
skills by other masters. Suzuki formulated a highly original violin technique
that is radical and remarkably efficient. He has disseminated these ideas to
teachers and students in the form of "teaching points" - specific
descriptions, each dealing with a single aspect of technique and recommended
exercises for its mastery. In the process of renovating violin study, Suzuki
dramatically improved the way the violin is technically mastered.
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